How not to draw a comic page

Sometimes, the sketch for a comic page has a certain flow to it that is hard to conserve when drawing the final page with clean lines and more details. It is a challenge that every comic artist faces once in a while, and sometimes even the best artists fail. However, it is usually not quite as bad as in the following example posted by the artist of Alex ze Pirate, Tom Preston.

If you check the news archive, you will see that I have never commented negatively about the work of a fellow cartoonist. But I am still puzzled how a professional artist can make so many bad decisions that turn a really good sketch into a mediocre comic page. One also has to think about all the time that was spent on redrawing various parts of the page. Since one can also learn from bad examples and there are lots of comic artists among our readers, I decided to post my observations here.

Alex ze Pirate - Work-in-progress

Here is my opinion about each panel of the final page:

  • Panel 1: The boy’s pose looks much more dynamic in the sketch. Unlike in the finished page, he’s swinging the axe in a sensible way so that it has a considerable amount of momentum when hitting the trunk. In the finished page, the axe also seems unrealistically large.
  • Panel 2: This panel should not have been added since it adds nothing to the story and rather slows down the action. It also takes away valuable space for the swing of the axe in panel 1.
  • Panel 3: The composition of this panel is better in the sketch with the top of the trunk at 1/3 of the panel height and the center of the boy’s legs at 2/3 of the panel width. The different camera distance also adds a little visual variation.
  • Panel 4 + 5: The second sketch is the best version. The progress from a larger to a smaller piece of wood is shown and the boy is pushing the knife with more strength, making the carving process look more natural.
  • Panel 6: I like how the boy looks with pride at his finished creation in the sketch. The artist is thus connected with his creation in a concise way. It also works particularly well together with the next panel of the sketch.
  • Panel 7: I like how the boy casually throws the created piece into the fire with an empty facial expression in the sketch. The contrast to the boy’s expression in the previous panel will certainly surprise the reader.
  • Panel 8: The smile of the woman looks funnier in the sketch. Giving her such a sexy pose in the final artwork also distracts the reader from the punchline. Some people may see it differently, though.

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